110 - The Bling Ring

Connection To GET OVER IT - Kirsten Dunst who has a small role here.

Good on Sofia Coppola - she's managed to put the backlash of her perform in The Godfather Part III behind her and as managed to have a successful career as director, but me the truth is her films have ultimately left me cold, her most acclaimed film so far Lost In Translation just left me bored to tears if I'm honest and I'm a big Bill Murray fan and like Scarlett Johansson too.

I think the story intrigued me of The Bling Ring though, based on a true story in the Hollywood Hills, of a bunch of teenage criminals (mostly girls) who rob from celebrities such as Paris Hilton and Orlando Bloom.

The sad truth is, yeah this left me cold like the majority of her work (Virgin Suicides in fairness I remember liking but it's been so long since I've seen it), like Lost In Translation or Marie Antoinette I felt nothing while watching it. It feels easier to write something when you loved it, or had so much fun watching it or the opposite end where the film was just so bad you can just have a go at what you didn't like about it.

The film brought to mind - Spring Breakers - though both are different films other then pretty girls commit crimes - in the fact that is really what is most memorable about them, we had some ex-Disney princesses in Spring Breakers going against type and here we have Emma Watson and others, I mean there is a lot of prettiness going on here but the entire thing was just nothingness.

The film feels like bored teenagers talking, do robbery, the aftermath, doing it again and repeating until they get caught, are we supposed to feel anything for these bored kids? Because I sure as hell don't, I don't necessarily ask to be able to identify with characters in films but I at least want to feel their motivations perhaps.

The person to me who came out of looking this film the best for me is actually Paris Hilton - who had a small non speaking role - she was one of the real celebrities robbed (multiple times) and actually lets her real house be used in the film, I thought that was actually pretty cool of her and she didn't mind letting herself look stupid.

Overall, the scores on the net suggest the score is a little bit of a notch above average, so there must be people out there who liked it but for me it was such a cold experience that I didn't end up really enjoying. 

14 - Peggy Sue Got Married

Connection To Who Framed Roger Rabbit - Kathleen Turner

THE 1980s SUCKED!!! Do you want to know why? Because it seemed like so many films and TV series had nostalgia for the 50s and the 60s - which was yeah, through rose-tinted glasses cause there was a lot of shit that happened.

Peggy Sue Got Married - you can't help but think of Back To The Future, this was released a year after and involves somebody going back to an earlier time (in the case 1960), it's really where the similarity ends and it would be unfair on this movie if I kept comparing it to that iconic movie.

Kathleen Turner plays Peggy Sue who is attending her 25th high school reunion in the present (well as in 1986), just seperated from her school sweetheart Charlie (Nicolas Cage), she is made class Queen (alongside the King who was a class geek now turned millionaire), during which she faints and when she awakes she finds herself back in 1960.

Finding herself back in 1960 she is really confused but soon finds herself being able to have the courage to address rude classmates or tell a teacher that there is no use for algebra in the real word and she knows it for a fact. This also gives her a chance (of the inevitable) to remember why she fell in love with Charlie in the first place.

I liked this, it indeed made me feel nostalgia for a time and place that I was never there for, there is cute little references about the future (like her saying she'll go to Liverpool and discover The Beatles). The film also features quite a cast of before they were famous, besides Cage, who wasn't a breakout yet (who is director Francis Ford Coppola's nephew), there is Jim Carrey (playing naturally the class clown), Joan Allen (herself later a star of the 50's sit-com set Pleasantville), a young Helen Hunt and Coppola's own daughter Sofia.

Speaking of Cage, is choice for voice is weird an odd high pitched tone that a little bit dents the enjoyment of the movie but he doesn't grate completely 100%, Kathleen Turner though carries the movie great.

The music choice is typical of the nostalgia run of movies where all songs are still well known to this day (that's all that was played on the radio and at club it was always seems, I imagine songs get forgotten along the way in reality).

Overall, it's nowhere near the Coppola classics of the 70's, but it's a nice movie - that's not a complaint - and though going back to Back to the Future (what an awkward thing to say) it's a decent watch if somebody wants something a little bit the same.