Showing posts with label Matthew Broderick. Show all posts
Showing posts with label Matthew Broderick. Show all posts

Wednesday, 25 June 2014

143 - The Road To Wellville

Connection To WAYNE'S WORLD - Dana Carvey and Lara Flynn Boyle.
I was looking online after watching this film and noticed the Rotten Tomatoes aggregate is 41%, and a user rating of 5.7 (out of 10) over on IMDB, this surprises me because that's means most peoples opinion of this are average or below average at best - it surprises me because this will be my - I think - third time watching it and have enjoyed it every time.

To be fair, it's hard to tell who the movie was originally aimed at on release - there's sex, naked skin, but none of it is particularly sexual (I did enjoy however as a teenager - Bridget Fonda's nipple in the milk bath scene) and though it's based on a true story (though heavily fictionalized), the subject matter just might not be of interest to true story movie fans.

I could actually see Anthony Hopkins as Dr. Kellogg being distracting to people with his accent and buck teeth but me, personally liked that Hopkins was willing to do something a bit different. Matthew Broderick and John Cusack are enjoyable support but I do wish Bridget Fonda's character was a bit more clearly defined but that was in the writing, nothing to do with her performance. Dana Carvey as Kellogg's adopted son I thought was among the film's more enjoyable performances.

Overall, a film that I think dares to be different - which probably why opinion is so underwhelming as was the box-office, but for me it was a nice (breakfast) treat.

Friday, 11 April 2014

25 - The Cable Guy

 Connection To 3 NINJAS KNUCKLE UP - Charles Napier
America, The World whatever... was just not ready for THIS Jim Carrey in 1996. The audience still wanted him bending over talking out of his butt and much was made of Carrey's $20 million fee for the movie, his run of movies before starting from the first Ace Ventura certainly showed he was bankable but a black comedy like this wouldn't have attracted the same audience even if Carrey took scale. In a different (later) time a movie directed by Ben Stiller and starring Carrey with roles for Jack Black and Owen Wilson and produced by Judd Apatow would sound like such a winner but it just wasn't to be.

I saw this initially in 1997, when I would have been 14/15 and I was one of the small number of British people who knew Jim Carrey was even before Ace Ventura, I knew him from In Living Color, Earth Girls Are Easy and because of them knew who he was when I saw him in his small role in The Dead Pool, so yeah when super-stardom came it was cool seeing it happen.

Anyway I digress and back to 1997, I'd seen all the stuff Carrey was doing post-Ace Ventura and this was a film I was going to see, but by the time I'd seen it, it had already flopped and being slated and in spite of that I enjoyed it, I recall watching it again around 2000 and still liking it, but haven't seen it since then so I'm curious to see if I still will enjoy a film I will defend some 14 years (maybe a touch more or less) as misunderstood and actually a really good black comedy. (all this first bit was actually written before the re-watch)...

Watching it now, I'm still on the side it's a good film - a good film with flaws, the overriding fact is to everyone watching is that Carrey's character is lonely but unhinged, Broderick really shouldn't have let it get that far even after the initial scenes with each other but it's still fun seeing Broderick let the all situation get out of control.

However one of my little problems is I don't think Broderick's character stands out enough, though you could argue he's another actor overshadowed by a force of nature in Carrey performance (I genuienly think the first actors to steal the show from Carrey where Cary Elwes in Liar Liar and Steve Carell in Bruce Almighty), but to be fair Owen Wilson in a smaller scene leaves an impression, Ben Stiller himself and Eric Roberts also pop in enjoyable bits.

There's it fair share of memorable scenes such as the karaoke scene or the jousting or even the aforementioned Owen Wilson scene and it's pace is not too bad. I'm not picking on Broderick here (because I've enjoyed him in plenty) but his scenes without Carrey tend to be some of the less interesting ones though if he shares the scene with Leslie Mann you have at least her to look at.

Overall a film that still as anchor of Carrey's price tag on it but still a film with enough redeeming qualities about it, no question about it though it's Carrey's film.